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Simply click the Module Configuration button to change to a different configuration.

Steinberg Halion 3 Le License Agreement And

Steinberg Halion 3 Le Software Described By

The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement.

No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH.

Registered licensees of the product described herein may print one copy of this document for their personal use.

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This chapter is arranged in the same fashion, with the plug-ins listed in separate sections for each effect category.

The effect can either be tempo-based or use freely specified delay time settings.

It offers the possibility of decimating and truncating the input audio signal by bit reduction, to get a noisy, distorted sound.

You can for example make a 24-bit audio signal sound like an 8 or 4-bit signal, or even render it completely garbled and unrecognizable.

Compressor features separate controls for threshold, ratio, attack, hold, release and make-up gain parameters.

Compressor features a separate display that graphically illustrates the compressor curve shaped according to the Threshold and Ratio parameter settings.

Compressor also features a Gain Reduction meter that shows the amount of gain reduction in dB, Soft kneeHard knee compression modes and a program-dependent Auto feature for the Release parameter.

Limiter can adjust and optimize the Release parameter automatically according to the audio material, or it can be set manually.

Limiter also features separate meters for the input, output and the amount of limiting (middle meters).

The window is divided into three sections, containing controls and meters for each processor.

As soon as the signal level exceeds the set threshold, the gate opens to let the signal through.

It works like a standard compressor with separate controls for threshold, ratio, attack, release and make-up gain.

The compressor features a separate display that graphically illustrates the compressor curve shaped according to the Threshold, Ratio and Make-Up Gain parameter settings.

It also features meters for input gain and gain reduction and a program-dependent Auto feature for the Release parameter.

Conventional limiters usually require very accurate setting up of the attack and release parameters to prevent the output level from going beyond the set threshold level.

The limiter adjusts and optimizes these parameters automatically according to the audio material.

Changing the order of the processors can produce different results, and the avail-.

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